Sunglasses
Not really a remix of “Sunglasses at Night”, but a heavy borrowing. My goal was a to create a track with a nice groove that would seem vaguely familiar when played out but then become really familiar as the track went on.
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Not really a remix of “Sunglasses at Night”, but a heavy borrowing. My goal was a to create a track with a nice groove that would seem vaguely familiar when played out but then become really familiar as the track went on.
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A remix of the Don Henley song, just spooling out the opening groove that’s so good.
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I Can’t Go For That (Perkowitz Mix)
A remix of the Hall & Oates classic. I had forgotten what a great groove it had at the beginning until I heard it at a wedding recently. So I had to extend out that groove and then do some chopping and filtering on the rest.
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Looking from a Hilltop (Perkowitz Mix)
Remix of one of Section 25’s best-known (and most-sampled) tracks. I combined a couple of the original mixes with some great grooves from Stephen Morris’s recent remix.
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Looking from a Hilltop (Perkowitz Dub)
Had to give this song another remix, featuring the killer 808 loop from Stephen Morris’s Retrofit remix front and center.
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The Pointer Sisters sure knew how to create a groove. I just took some of my favorite bits of this song and played around with them.
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The synth line on this song just demanded a remix. I had trouble making the rest of it work, but it’s worth it for the synth line.
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Too Much Time On My Hands (Perkowitz Mix)
I heard this on the radio a couple weeks ago and the opening synth line is irresistible.
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Ready for the World had some great drum programming, on this and other songs. Must have it.
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The Glamorous Life (Perkowitz Mix)
The drums on the original are irresistible, so I had to remix it.
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Do You Wanna Funk (Perkowitz Mix)
Patrick Cowley, who produced the original, was a dance music genius.
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The Glamorous Life (Perkowitz Clean)
Basically the same as my first remix, but with the vocals left untreated, so people can sing along when you play it.
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Into the Groove (Perkowitz Mix)
I had forgotten what good grooves this song had. Plus great use of the 707/727 combo.
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